Sunday Service - no borders
by Donna L Munro
Title
Sunday Service - no borders
Artist
Donna L Munro
Medium
Drawing - Pencil Sketch
Description
This is a drawing done by James Wharton. James Wharton was born April 5, 1853 at #7 Adlington St. in the county of Lancashire, Liverpool, England. He attended Sefton School. He loved to draw. He spent hours drawing the countryside and architecture around him. His work appears to be an extension of a school art program. He did sketches, and in a few of these he made use of pointillism which was just new at that time. He did most of his drawing when he was 11 and 12.
When James grew up, he became a railroad engineer. He married Margaret Orme. He and his family came to North America. His family arrived in New York in the month of March, 1882. The trip on the ship took 14 days, and his wife was never so sick. After the boat trip, he and his wife boarded a train headed for Portland, Oregon, USA. His trip to Portland to join a friend was rerouted when they met a land agent on the train. That land agent helped James pick his homestead property from a land map of the new development near Brandon, Manitoba. So, James and Margaret rerouted their trip to Canada.
They traveled by boat up the Red River to Winnipeg, Manitoba and then up the Assiniboine River to Brandon, Manitoba. They got a team of oxen and a wagon in Brandon and travelled 20 miles to their homestead. They settled in the municipality of Oakland 5 miles from the little town of Nesbitt. James did two jobs: farming and working at the Gregory Mill on the Souris River which was 3 miles from their homestead.
James was injured in a farming accident in 1904. He was carrying a bag of oats on his shoulder down from the loft of the granary when a step on the ladder broke and he fell backwards onto a set of heavy farm scales. He landed on his back and was badly injured. He was unconscious when they found him. James� family lifted and brought him to the house. The doctors did not seem to be able to help him. James lived for 2 more years, and slept in a chair to keep comfortable. He died January 7, 1906 at the age of 52 years, nine months.
James left behind drawings he had made in England. These drawings were preserved and are a very tangible link with our grandfather we never knew and to his childhood home. Donna Munro restored and prepared this drawing for print. Donna would like to acknowledge D'Angelo Studio Calgary (experts in digital restorations) in the initial work of restoring this image.
2020 Update. I want to tell you how having these early images help me today. When I paint, I lose detail. Having the early image allows me to bring the drawing to the top, and there's settings. There is a setting which makes all light things to disappear, the paper, and the lines only come through. What happens is I get a final perfecting drawing one does in physical drawing, for I do that, and it brings back the detail. I've not done it to every piece of art, but it is a technique which is working for me. The benefit of a drawing is very high detail. It is most benefitted from up close, so make plans for that, from a viewing point of view. A very nice place to put this is near a couch in the living room, where you have light. Indirect light is nice.
For all the work I put into the art paper behind the drawing, realistically, it is good to know, maybe or maybe not, that all the blank paper becomes covered by the two mats. At least, mine did. The mat lines frame the center image. Someone did work for me, and matted a few. There are different ways to do this. In the end, do what inspires you, and makes your space spectacular.
Uploaded
November 18th, 2010
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